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It doesn't have a fixed schedule, it's discreet and pops up as a surprise like notes in elementary school.
Do you want to go out with me?

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THE ART OF RESISTANCE (2022)

Text and direction:

Claudio Zappalà

With:

Chiara Buzzone, Federica D'Amore, Totò Galati, Roberta Giordano

And with the voice participation of:
Elvio La Pira
 

Lighting design and technical direction:
Nathan Tagliavini


Production Barbe à Papa Teatro

In collaboration with
Spazio Marceau
C.T.M. Centro Teatrale Meridionale

With the support of Theatron Produzioni

Winner of the "Sicilia di scena" call - Teatro Biondo Palermo 2023

Winner of the “Chiamata OffIine” Call - Ferrara Off 2022

© 2019 Barbe à Papa Teatro - Palermo - info@barbeapapateatro.comtax code: 97342990823

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"Can you do theater when you are depressed? What can you do when you are depressed? When you don't even have the strength to get out of bed. When every thought is dark and you can't imagine yourself in the future."
 

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On stage, three actresses and one actor, on an empty stage, prepare to put on their latest show, and in doing so, they question their condition as artists, as workers, but also as men and women living in the present, with its difficulties and contradictions. It is the Barbe à Papa Teatro company staging itself.

The investigation starts from a question that generates all the others: "Can you do theatre when you are depressed?" And so: What can you do when you are depressed?

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The reaction – more than the answer – to these questions is a show that tells four stories of a generational, but also universal, condition; a show that travels through the shadowy areas of a soul torn and worn out by years of economic, social, political, and cultural crisis.
The staging is a continuous metatheatrical game that confuses roles and characters and encourages the audience to participate actively, going even beyond the enjoyment of the show itself. Resistance is responsibility, and it also involves spectators.

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SHOW TRAILER VIDEO
PRESS REVIEW
 
Read the review by Tiziana Bonsignore on Teatro&Critica


Read the review by Valeria Minciullo on Theatron 2.0


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